{"id":399,"date":"2017-05-10T22:43:16","date_gmt":"2017-05-10T22:43:16","guid":{"rendered":"https:\/\/www.pninagranirer.com\/newsite\/?page_id=399"},"modified":"2019-01-28T20:21:29","modified_gmt":"2019-01-28T20:21:29","slug":"figurations-1999","status":"publish","type":"page","link":"https:\/\/pninagranirer.com\/?page_id=399","title":{"rendered":"Figurations, 1999"},"content":{"rendered":"
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In 1999, Pnina returned to figure drawing resulting in mixed media works on paper and canvas.  In a sense it was a return to her roots, since her artistic training was mainly figurative. Most of Pnina’s teachers at the Bezalel Art Academy in Jerusalem were European with a strong humanistic tradition of  German Expressionism.<\/p>\n

\"Memory
Memory of Eden, mixed media on canvas, 36×24 in<\/figcaption><\/figure>\n
\"The
The New Age, mixed media on canvas, 48×36 in<\/figcaption><\/figure>\n
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Sunshine, acrylic on card, 40×30 in<\/figcaption><\/figure>\n
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Journey, mixed media on canvas, 36×24 in<\/figcaption><\/figure>\n
\"Stop
Stop the World, mixed media on board, 24×24 in.<\/figcaption><\/figure>\n
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    In 1999, Pnina returned to figure drawing resulting in mixed media works on paper and canvas.  In a sense it was a return to her roots, since her artistic training was mainly figurative. Most of Pnina’s teachers at the Bezalel Art Academy in Jerusalem were European with a strong humanistic tradition of  German … <\/p>\n

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